Brisa Noronha works with various media such as drawing, painting, photography, video, ceramics, and porcelain. Her research revolves around the active participation of materials throughout the creative process, focusing on the paths, limits, and instabilities defined by the interaction with each material. Her works are tied to the investigation of practice, resulting from experiments that bring together intentional action and the unexpected, order and spontaneity. “Sometimes I start with the material itself, sometimes I start with a subject or proposition to be developed, and the material asserts its importance in the process, or even becomes the subject,” says Noronha.
With a bachelor's degree in Social Communication from Pontifícia Universidade Católica de São Paulo (2015) and in Visual Arts from Faculdade Santa Marcelina (2015), Noronha is currently pursuing a master's degree in Visual Arts at the Universidade de São Paulo. In 2017, she received a grant from the Freedom to Create program of the Arteles artist residency in Finland. In 2015, she was awarded at the 22nd Praia Grande Plastic Arts Salon in São Paulo.
Among her recent solo exhibitions, notable ones include Os ossos do mundo, Sé Galeria, São Paulo, SP (2021); MIA Anywhere, MIA Collection Virtual Museum (2020); As saboneteiras, Ribeirão Preto Art Museum, SP (2019); Guardar uma coisa, Murilo Castro Gallery, Belo Horizonte, MG (2018); Gesto, Blumenau Art Museum, SC (2018); O Estado das formas, Projeto Mesmo Lugar - Qual Casa, São Paulo, SP (2015).
Brisa Noronha has also participated in group exhibitions that have fostered new and relevant discussions in the contemporary art scene, such as: Mãe, Espaço Cama, São Paulo, SP (2022); Semana Sim, semana não: paisagens, corpos e cotidianos entre um século, Casa Zalszupin, São Paulo, SP (2022); Diamante-grafite-carvão, Fonte, São Paulo, SP (2021); Nothing's gonna change my world?, Gr_und, Berlin, Germany (2021); Até a terra, New Gallery, São Paulo, SP (2020); nima - Mergulhos da Piscina, CC Espaço, São Paulo, SP (2019); No dia primeiro no nono andar, LAMB-SP Gallery, São Paulo, SP (2019); Entrever paisagens, Gallery of the Faculty of Arts of Goiânia (FAV), GO (2018); Bienal das Artes, SESC-DF (2018); 50th Contemporary Art Salon of Piracicaba, Miguel Dutra Art Gallery, Piracicaba, SP (2018); Uns, Espaço Breu, São Paulo, SP (2017); 42nd Ribeirão Preto Art Salon, Ribeirão Preto Art Museum – MARP, SP (2017); As coisas se escoram tortas, Arte Londrina 5, Division of Plastic Arts of UEL, Londrina, PR (2017); 41st Ribeirão Preto Art Salon, Ribeirão Preto Art Museum – MARP, SP (2016); 44th Luiz Sacilotto Contemporary Art Salon, Casa do Olhar Luiz Sacilotto, Santo André, SP (2016); 22nd Praia Grande Plastic Arts Salon, Palácio das Artes Cultural Complex, Praia Grande, SP (2015); 14th Guarulhos Contemporary Art Salon, Adamastor Municipal Education Center, Guarulhos, SP (2015); JF Foto 15, Bernardo Mascarenhas Cultural Center – CCBM, Juiz de Fora, MG (2015), among others.