Dealing with present-day transformations of our environment, and tending towards a contemporary sublime on the verge of an apocalypse, Basualdo bases his approach on the Earth's universal and natural cycle.
Recent solo exhibitions include: Corona in Eduardo Basulado’s imaginary universe, Kunsthalle Dusseldorf, Alemanha (2021); Casa Naranja, Córdobar, Argentina (2020); La Cabeza de Goliat, Musée d’Art Contemporain Les Abattoirs, Toulouse, França (2018); Arena, MuBE - Museu Brasileiro de Escultura e Ecologia, São Paulo, Brasil (2017); Remoto Control, Museu de Arte Contemporânea, Sorocaba, Brasil (2017); All the world’s Futures, 56th Venice Biennial (2015); Reflujo, Centro Cultural de la Memoria H. Conti, Buenos Aires (2014); The Rochechouart Museum of Contemporary Art, France (2013) and Testigo, Galeria Luisa Strina, Brazil (2013); The end of ending, PSM, Berlin (2012).
Recent group shows include: The 56th Venice Biennial (2015); The Havana Biennial (2015); La Isla at the Gwangju Biennale, South Korea (2014); The Montevideo Biennial, Uruquay (2012); Art Parcours, Art 43 Basel, Switzerland (2012); Mapas Invisibles, Luis Adelantado Gallery, Mexico (2012); El Silencio de las Sirenas at the Lyon Biennale (2011); The Traveling Show, Fundación Jumex, México City (2010),
His work is part of collections such as: Musée d Art Contemporain de Rochechouart, France; Tiroche de Leon Collection, Israel; Juan y Patricia Vergez, Buenos Aires.